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Some ideas about “The Last Five Years”

Drew and I went to see The Last Five Years at ACT in San Francisco. They did it as a concert, which I am now convinced is the way this show should always be done. I’ve seen I think 6 productions of The Last Five Years, and with the exception of this most recent one, they’ve all tried to stage every scene. And (I know I may be biased but) Drew’s version from college is the only one that accomplished staging it with any sort of panache.

If you don’t know the show, it’s almost entirely music. It’s the story of a five-year relationship between a man and a woman, only she tells her story going from the end of the relationship backwards, and he starts at the beginning and moves forward. The music is incredible, and even though the concept (love gained and lost) is simple, it’s well done.

Since they are almost never in each other’s stories, they are technically always in different spaces, even when sharing the stage. And it just makes the physicality difficult, especially later in the play. I think it is actually a lot cleaner to just put the actors onstage and let them sing in front of microphones, rather than worry about creating the visual world for the audience. We’ll get there on our own with just the actors and the music, I promise. We certainly did with just the talented actors and musicians at ACT.

But! I had two thoughts during this production that I found really interesting.

*Spoilers follow*

The first is that, from the beginning of the evening, I decided I was going to go through the play as Team Jamie. I am always on Cathy’s side, I always find her more sympathetic. So I wanted to really commit to going on his journey. And I did. I was right there with him until he cheats on her. And then all my sympathy goes out the window. So maybe there is a legit reason I’ve been Team Cathy all these years, and it’s not just because I like her songs better.

The second thing is just a conceptual idea. While watching this time, it occurred to me that they very specifically give you Jamie’s age at the beginning and end of the play: this five years spans his life from age 23 to 28. But Cathy’s age is never mentioned. I’ve always assumed she was the same age, but…what if she starts the play at age 30? So then: that’s why his mom doesn’t like her (it’s not just the fact that she’s not Jewish). It’s also why she feels so much pressure to succeed, and so much resentment when her 23-year-old boyfriend is succeeding and she’s not. She also mentions having kids a couple times, and I know that people can think about that at any age, but it becomes more poignant to me if she’s, you know, 33 and feeling pressure about it, while he’s 26 and it’s not on his mind. I’m not saying this is necessarily the way it’s written, but I think it would be a really interesting choice to make in a specific production of the show. It would add an interesting dimension.

All that aside, I still love this show as much as I did in college. And I’m so glad we went and saw it last weekend. I would tell you to go, but it was just a three-nights-only event, and it’s taken me too long to get around to saying, “Go see it.” My bad! I will burn you a copy of the original off-Bway cast recording to make up for it.

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Filed under Drew, Love, Music, Sentiment, Theatre

New Works Festival 2014

I spent Friday and Saturday of this weekend at the New Works Festival. On Friday night I saw an 8pm show and then an extra special 10:30pm cabaret-style show. I got home around 1am. Yesterday I saw three shows: one at 12pm, one at 4pm, and one at 8pm. The 8pm one was over 3 hours long. I got home around midnight.

While I’m definitely feeling the effects of the long weekend, and I’m grateful I had the foresight to not plan to be there all today as well, it was such a cool experience. This is one of my favorite things about theatre – brand new plays, trying new things, up-and-coming writers taking chances. And Festival Weekend is especially awesome: between all these new plays, you’re mingling with other audience members and supporters, trying out the food truck, stealing M&Ms from the donor lounge. I love this time of year. Other theatre companies are dark in the summers, but I’m so glad we’re crazy enough to cram a bunch of stuff into July and August. =)

The very special show on Friday night was called One Woman Show, by Shakina Nayfack. It’s an autobiographical piece about her gender transition, and most of the story takes place in the 1990s. It’s a combination of storytelling, and songs written by great contemporary NYC songwriters for Shakina’s show. I don’t want to sell it short by trying to explain the story in detail. But it was inspirational and at times heart-breaking but ultimately totally uplifting.

It also made me think about what I would possibly talk about if I had to write a 90-minute autobiographical show. I think I could fill 15 minutes, but 90? I haven’t done anything crazy or scandalous or perhaps even that interesting in my lifetime. Which I suppose I should be happy about. Because that also means that nothing traumatizing or shocking has happened to me. Which is good.

The New Works Festival is an inspiration to get writing. If I can’t write a cabaret-style show, maybe I can work on something less autobiographical. That might be more appealing to the masses.

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Filed under Memoir, Nonfiction, Theatre, Writing